The art nouveau design movement showcases the Belgian flair for visual language. Read more at straitstimes.com.
Anyway, the Piaget watch that is most readily associated with Andy Warhol is an Art Deco-inspired model that measured an enormous 45mm across, came in a yellow gold cushion-shaped case with stepped ...
In the face of various fears—from conspiracy theories to worries about migration—Maryse Quashie, a regular columnist for La ...
Since the collapse of the USSR, Kazakhstan’s largest city (population 2.2 million and growing) has evolved to become the star ...
Artists Rights Society (ARS), New York/SOMAAP, Mexico City, via The Metropolitan Museum of Art After the Revolution, the French-born ... one in the late 19th century, when Posada introduced ...
Turner Auctions + Appraisals is pleased to present the Fine Art & Estate Auction on Saturday, November 30, 2024. Featuring 225 lots, this wide-ranging auction offers a distinctive array of fine art, ...
The building’s French windows were punched out into rectangular ... Gien: Loire Valley 19th century earthenware brand known for collaborations with famous designers like Paco Rabanne, and ...
There is a place for bare bones hotel rooms — just not on this list. These six accommodations are a feast for the eyes, with ornate woodworking, dramatic draperies, lavish wallpaper, gilded frames and ...
Our French neighbours have no shortage of cultural hotspots that make for exciting city breaks. Stray beyond the iconic arrondissements of France’s poster child ... Hôtel 96, set in a 19th-century ...
La Malbaie, in Charlevoix, offers an exciting array of adventurous activities and winter fun.
Bruges "exudes a storybook atmosphere", with mediaeval architecture, cobbled squares and scenic canals, earning its title of "the most photogenic city in Europe", said Lindsay Cohn in Travel + Leisure ...
She has accused Hidalgo of using the monument as a "personal campaign poster," while Hidalgo counters ... historically converted into a public park in the 19th century under Napoleon III.