By Jillian Steinhauer Tamara de Lempicka’s first major U.S. survey invokes her as a trailblazing techno-feminist who borrowed freely from art history. But it also buries her erratic second act.

Trafficking in irreverence, the film follows a pair of stepsiblings with sexual tension. By Natalia Winkelman In the finale of Wang Bing’s nonfiction trilogy, garment-factory workers return to ...

Decorating with art needn't be limited to framed paintings and drawings. 'There are many different mediums, which can transform an interior. For example, we love to incorporate textile art, ceramics, ...