A Haunting in Venice managed to bring both claustrophobia and spaciousness to the same building. When ComicBook.com’s Liam Crowley brought this to production designer John Paul Kelly’s ...

As much a horror film as it is a drawing-room mystery, Kenneth Branagh’s “A Haunting in Venice” succeeds in pleasing fans of both genres. Skip to main content ...

When I reviewed A Haunting ... production design. So, the refined textures, subtle details in costumes, and the haunted surroundings are all rendered precisely. The film grain in A Haunting in ...

It’s the characters and the stunning gothic production that make this a winsome welcome to the Halloween season for horror and non-horror fans alike. On paper, A Haunting in Venice has all the ...

Now, about a year and a half later, Branagh is back in theaters as mustachioed Belgian detective Poirot with “A Haunting in Venice ... “The Crowded Room”), a brother-and-sister duo ...

Branagh certainly succeeds in finding his, as do his gifted collaborators (they include production designer ... a murder in a locked room), “A Haunting in Venice” sometimes feels closer ...

Exhausted, depressed and demotivated is how we find Monsieur Hercule Poirot at the start of "A Haunting In Venice ... 10 years The cinematography and production design are also superb, and ...

She diligently carries this misguided production on her shoulders, giving far more than it deserves. As Brynn, she doesn’t have the luxury of using her voice to convey her character’s ...

Now, about a year and a half later, Branagh is back in theaters as mustachioed Belgian detective Poirot with "A Haunting in Venice ... "The Crowded Room"), a brother-and-sister duo serving ...