Soheila Golestani, the Iranian actor who stars in Mohammad Rasoulof's Oscar-nominated drama "The Seed of the Sacred Fig," has been banned from leaving Iran to serve on the Tiger Competition jury at this year's International Film Festival Rotterdam.

Producer Elisa Fernanda Pirir is pitching ‘Árru,’ ‘Like there is No Tomorrow’ in Göteborg and entering distribution in Norway

Rendez-Vous with French Cinema festival, hosted by Film at Lincoln Center and Unifrance, is celebrating the work of acclaimed actor Vincent Lindon. While the 2025

South African photographer Ernest Cole dedicated his life to capturing the world through his camera lens. Now, filmmaker Raoul Peck is turning the focus on him. Saturday, Peck’s one-hour-and-45-minute documentary,

Cannes Director Thierry Fremaux pays David Lynch tribute, reflecting on their friendship and calling him a 'generous guy.'

Karla Sofía Gascón, the star of the French film "Emilia Pérez," has become the first openly transgender actor to be nominated for an Academy Award. Gascón was nominated in the Best Actress category for her role in the Spanish-language musical crime drama. The movie, directed by Jacques Audiard, is available on Netflix.

Zilbalodis directed the film and co-wrote the screenplay with Matiss Kaza. Flow debuted in the Un Certain Regard sidebar at the 2024 Cannes Film Festival, where it was only the second Latvian film to screen in any of the Cannes competitions.

The director of 'Blue Velvet,' 'Twin Peaks' and 'Mulholland Drive' died aged 78. "I loved him so much," said 'Blue Velvet' star Isabella Rossellini.

He was born in Paris and is the son of Marie-Christine Guibert and Michel Audiard, a film director and screenwriter. During the 1980s, he started creating screenplays for movies such as Réveillon chez Bob!, Mortelle randonnée, Baxter, Fréquence Meurtre, and Saxo.

Payal Kapadia-directed All We Imagine as Light entered the race at the Golden Globe Awards, going for Best Director and the Best Foreign Language Film.

The Shrouds premiered at Cannes in May, and follows Karsh (Vincent Kassel), a businessman distraught after the death of his wife. Per the film’s logline, “he invents GraveTech, a revolutionary and controversial technology that enables the living to monitor their dear departed in their shrouds.