Luis Buñuel’s Mexican melodrama about a jealous husband who makes his young wife’s life a living hell opens at Film Forum.
By J. Hoberman A subway car encounter between a button-down Black man, Clay, and a provocative white woman, Lula, ends in violence: The enigmatically named “Dutchman,” a half-hour play-cum ...
On the surface J Hoberman's new retrospective on 21st-century film seems a rather fractured affair, divided as it is between two different aspects of modern cinema. Initially, Hoberman explores the ...
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