A Haunting in Venice managed to bring both claustrophobia and spaciousness to the same building. When ComicBook.com’s Liam Crowley brought this to production designer John Paul Kelly’s ...

After viewing the trailer for A Haunting in Venice ... forest that’s imaginably hard to navigate. “There's a coldness in those teal-y blues, and there's a loveliness,” Kelly says of the room ...

So Branagh credits word of mouth, above-average streaming numbers and his long-standing relationship with Disney and 20th Century for A Haunting in Venice ... in that big room for theater ...

Now, about a year and a half later, Branagh is back in theaters as mustachioed Belgian detective Poirot with “A Haunting in Venice ... “The Crowded Room”), a brother-and-sister duo ...

When I reviewed A Haunting ... production design. So, the refined textures, subtle details in costumes, and the haunted surroundings are all rendered precisely. The film grain in A Haunting in ...

Branagh certainly succeeds in finding his, as do his gifted collaborators (they include production designer ... a murder in a locked room), “A Haunting in Venice” sometimes feels closer ...

The interiors are actually a set in Pinewood Studios, with a production design of drab ... and the unsuspenseful Haunting in Venice doesn’t do much to undermine that guess.

That was our interpretation of haunted Venice.” The production was able to get on rooftops and shoot over statues, to showcase the beauty of Venice that audiences don’t often get to see.