“The 7th Voyage of Sinbad ... With all of that special effects technology at his disposal, Spielberg first introduces us to a T. rex not with a scary CGI monster but a footprint, a shaking ...

i.e. the animation of assorted monsters, vultures, skeletons, etc - has been used to bring a vivid sort of realism to the various and terrifying hazards which Sinbad encounters on his voyage and ...

Director Nathan Juran, responsible for the camp Attack Of The 50ft Woman, keeps the action coming as Sinbad battles assorted monsters in a bid to help his miniaturised girl regain her stature.

1958’s The 7th Voyage of Sinbad is the first of his classics to be filmed in color and arguably his most iconic film. It is included in the aforementioned box set and as a stand-alone Blu-ray ...

By Mike Barnes Senior Editor Soon after wrapping production in Spain with her turn as the damsel in distress Princess Parisa in the Ray Harryhausen fantasy The 7th Voyage of Sinbad (1958), she ...

But before he can save her, Sinbad must battle an awesome collection of mythical monsters: the man-eating Cyclops, a saber-wielding skeleton, a ferocious two-headed bird called the Roc and a ...